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Christian Marclay’s ‘The Clock’ at the MoMA: A Testament to the Ephemerality of Present Cinema and of Time
Tori Wee
, Staff Reporter
April 21, 2025
Take a Walk Down the Yellow Brick Road: The Evolution of ‘The Wonderful Wizard of Oz’
Gwyneth Mahase
, Staff Reporter
March 18, 2025
The Rise of Chinese-American Voices in Cinema
Katelyn Chiao
May 9, 2024
Too Close for Comfort: Bruce Gilden’s In-Your-Face Photography
Aaqib Gondal
, Staff Reporter
March 12, 2024
The Method of Becoming a Character
Ashley Chen
, Staff Reporter
March 12, 2024
Slavoj Žižek: Marxism for the Masses
Aaqib Gondal
, Staff Reporter
January 26, 2024
Remembering Lucasfilm’s ‘American Graffiti’ (1973)
Karishma Ramkarran
, Staff Reporter
June 6, 2023
The Beauty of Italian Film: Giuseppe Tornatore’s ‘Cinema Paradiso’
Sud Paul
, Staff Reporter
May 21, 2023
A Review of ‘Black Panther: Wakanda Forever’
Elizabeth Colón
, Staff Reporter
March 9, 2023
An Upcoming Film on J. Robert Oppenheimer: Director Christopher Nolan’s Next Enigma
Aaqib Gondal
, Staff Reporter
December 28, 2022
Disney Remakes: Love Them or Hate Them
Susan Cohen
, Staff Reporter
December 27, 2022
Tales of the Future: Cyberpunk
Karishma Ramkarran
, Staff Reporter
August 1, 2022
Cheerleaders, Cliques, and Class Politics: A Look Into Teen Films of the 1980s
Nora Sissenich
, Staff Reporter
July 25, 2022
Seeing You Seeing Me: The Female Gaze in Cinema
Maggie Schneider
, Staff Reporter
March 16, 2022
Movie Theaters and Mental Health: Is There a Correlation?
Hallel Abrams Gerber
, Staff Reporter
November 29, 2021
Acclaimed Spanish Director Roberto Pérez Toledo Visits Bronx Science’s Spanish Film and Narrative Class Via Zoom
Ben Raab
, Staff Reporter
November 23, 2021
The Films of Zack Snyder: Genius
Theodore Wai
, Staff Reporter
June 17, 2021
A Profile of Youn Yuh-jung, a South Korean Actress
Chris Yang
, Staff Reporter
June 16, 2021
Home Movies: A New Meaning
Susan Cohen
, Staff Reporter
June 14, 2021
Who Should Be the Next James Bond?
Saad Khandakar
, Staff Reporter
March 11, 2021
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